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in a time the dance floor turned into a magnetic field for all types of creatives
from Marianne Moore (1961) to Maxine Groffsky (2017) – by way of Katherine Anne Porter
The result is a bilingual (English and Portuguese) collection of emotional imprints
What happens when the rules are broken
The represented distribution models range from traditional licensing to subscriptions
Kink #30 2019 sustainability in a time the dance
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