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To be most useful our virtual orchestras need to behave like real ones
They’re one-offs about things like: developing ideas modulating runs and flourishes writing for small groups negotiating with a difficult director notation deliverables… a huge cross-section of topics
We're also going to look at how to serve up comedy in general - both on the nose and subtly
Don't miss this one
In this class I'll show you how I handle this unusual beast - what I avoid trying to do virtually how I approximate certain otherwise-impossible effects
TEMPLATE BALANCING masterclass To be most useful ourTo be most useful our virtual orchestras need to behave like real ones. With a properly balanced template real world orchestrations work virtually which lends realism to our music and improves our orchestration skill. In this class we'll cover template balancing and how various articulations should sound when properly dynamic (e. g. the loudest pizz strings are much quieter than bowed ones). We'll talk about the differences between small and large
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