Stanley Turrentine with The Three Sounds: Blue Hour UHQCD ETJS-3.2 The cutting-edge 1969 session Medina—which

The cutting-edge 1969 session Medina—which wouldn’t be first released until 1980 as part of the LT Series—documented one of Hutcherson’s most remarkable band line-ups featuring two of his frequent collaborators—Harold Land on tenor saxophone and flute and Joe Chambers on drums—along with Stanley Cowell on piano and Reggie Johnson on bass

Pianist Herbie Hancock showcased the full breadth of his artistry on his masterful fourth Blue Note album

This impressive 6-song set of original compositions found Pullen getting down to the core of his distinctive sound with the wild avant-garde flourishes of pieces like “Reap the Whirlwind” juxtaposed against winsome groove- and swing-rooted pieces like “Jana’s Delight” and the title track

from the Coltrane-influenced “Semi-Octo” to soulful reads of standards from Hammerstein/Kern

In The Wee Small Hours Of The Morning

Stanley Turrentine with The Three Sounds: Blue Hour UHQCD ETJS-3.2 The cutting-edge 1969 session Medina—whichBlue Note, 1963 UHQCD Japanese import. Specially remastered from originals by Kevin Gray. Presented in a UHQCD jewel case with obi strip and the original sleeve notes. Catalog Number: UCCQ 9712. Alfred Lions inspired idea to pair tenor saxophonist Stanley Turrentine with The Three Soundsthe trio featuring pianist Gene Harris, bassist Andrew Simpkins, and drummer Bill Dowdyon 1960s Blue Hour produced one of most deeply soulful hard bop outings in the