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White Money
I’m Already Gone
synths and experimental vocal effects are featured more prominently than ever before as the band push themselves ever further into the uncharted territory of their very identity
and the music inside
steadily moving away from raging Weezer/Teenage Fanclub-style power-pop nuggets fueled by shredding guitar pyrotechnics and Tony's ironclad DIY HC roots to mostly acoustic arrangements that owe as much to "Horizontal"-era Bee Gees and the Fanclub's mellower moments as they do to Georges Harrison and Martin
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