Can't Go Unless We All Go 50% The Visible Woman Pluta’s conceptual pith lies in

Pluta’s conceptual pith lies in the exploration

Whitney Museum of American Art

When the Fab Four came to an end

JapaneseYear: 2022Publisher: InOtherWords

University of Pennsylvania

Can't Go Unless We All Go 50% The Visible Woman Pluta’s conceptual pith lies inSINCE 1997, OTIS HOUSTON JR. (1954, GREENVILLE, SOUTH CAROLINA, USA) HAS MADE THE RITUAL PILGRIMAGE FROM HIS HARLEM APARTMENT TO HIS STUDIO AND GALLERY: A PATCH OF HIGHWAY UNDER THE TRIBOROUGH BRIDGE. HERE, BEFORE AN AUDIENCE OF MOTORISTS ON THE FDR DRIVE, HE PERFORMS ALONGSIDE ASSEMBLAGES OF OBJECTS COLLECTED FROM THE STREET AND PAINTINGS RENDERED ON CARDBOARD AND TOWELS. CANT GO UNLESS WE ALL GO, HOUSTON JR.S DEBUT MONOGRAPH, ASSEMBLES THREE DECADES