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when I met him he was 82 and still making the very same beautifully refined cup that he had started producing all those years ago
around your neck or wrapped around your handbag handle
and the fragile balance between beauty and loss in contemporary life
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where subtle gestures applied to surface tension shape light into fluid
white underwater floral tribute vanitas for a modern world lighting when I met him heThe Vanitas series revisits the still life tradition through an underwater photographic process, extending a lineage that emerged most prominently in seventeenth century Dutch painting. Working entirely in water, these compositions draw on historical motifs associated with mortality, transience, and the passage of time. Floral specimens, organic matter, and carefully selected objects are staged within a submerged environment where light, reflection,
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