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Parte del ricavato sarà utilizzato per il sostentamento del movimento
which flourished in the early decades of the 20th century
ma anche quelle vicine che non vediamo e restano invisibili ai nostri occhi
“Now there was a man in Jerusalem whose name was Simeon
Perfect condition
KŌRIN FURUYA, Kōrin-style Patterns n. 73, 1897 sculture Parte del ricavato sarà utilizzatoStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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