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has a palette that is closer to version B
Le due matrici sono state inchiostrate separatamente e stampate con doppio passaggio del torchio a stella
he left his law studies and the textile industry to dedicate himself to painting in 1960
dove la montagna si riflette sulla superficie del lago di Misaka
He approached lithography as a craftsman in the truest sense of the word: he drew the stones himself and oversaw the printing
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 70, 1836-1847 vasi has a palette that isStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
